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I don’t want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. “I don’t want to sell anything, buy anything, or process anything as a career. Brooks, who actually came up with the germinating idea of a criminal father and his daughter.
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The movie is executive produced by mastermind James L.
Ditto Eric Stoltz for Cameron Crowe, who in addition to his cameo was a Production Assistant on the film. Jeremy Piven & Joan Cusack make small but important appearances, as is customary in Cusack movies. Bebe Neuwirth makes her film debut in a small role as Lloyd’s persistent guidance counselor. Loren Dean didn’t get the part as Lloyd but makes a great Joe. Lili Taylor & Amy Brooks as Corey & DC, respectively, are the friends you hope you’re lucky enough to have. While she’ll never again have a role as full-featured, she makes the most of the opportunity and makes the unattainable “Diane Court, whoa” a real character. Ione Skye is nearly perfectly cast as Diane Court. Cusack may have covered a lot of this comedy ground before, but he had never been as exposed as he is with Lloyd Dobler. Lloyd is easy to root for, but he too is more than a simple “good guy”. Lloyd Dobler is a star-making role, even if Johnny C already was a star. (Reportedly John Mahoney, who was starring with Cusack in Eight Men Out, also talked it up.) “Man, Dissed in the Malibu. Crowe was able to convince him to return to the genre, based on the quality of the character and the script. He’d done the whole teen comedy thing and was moving on to more adult roles. By this time, John Cusack was past playing roles like this. Then there are the “teens”, even if many of them had long since left these years behind. “What I really want to do with my life – what I want to do for a living – is I want to be with your daughter. Brought to life by John Mahoney, who turns in the best acting I’ve ever seen from him I think you could make a case for an Oscar nomination for this performance.
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He is a complete human being with a full range of emotions, and his love, joy, jealousy, anger, fear and vulnerability make for a better film. He’s not here as the dopey dad, or even the kind father who occasionally has a sincere heart to heart talk with his daughter, delivering the right mix of wisdom, insight and love. But one of the things that gives Say Anything real depth is the all too human presence of Jim Court, possibly the first fully-fleshed out adult in a teen movie yet. This incredible talent for getting into the heads of teenagers is as strong as ever, as he writes dialogue and scenes that reflect the reality of being a recent high school graduate and searching for the meaning of it all. It all comes together best here in Say Anything, his directorial debut, as he expands the focus of this insight to include the adults that inhabit this world. Whether it’s his semi-autobiographical experiences as a teen journalist following bands (chronicled in Almost Famous), or his going undercover as a high school student to write the truthful and surprising Fast Times at Ridgemont High. “I draw the line at 7 unreturned phone calls.”Ĭameron Crowe has a unique insight into the mind of the American teenager (at least the teenager of the 1980’s).
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Diane Court is about to know Lloyd Dobler.” It’s a perfect setup for the story, in which recent high school grad, amateur kickboxer and professional good guy Lloyd pursues and wins over gorgeous brain Diane Court, much to the chagrin of her legal-troubled father. The tagline for Say Anything is great “To know Lloyd Dobler is to love him. Crowe becomes a director, Cusack a superstar, “In Your Eyes” the soundtrack for love forever more…
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